popculturediedin2009:

A page from Anna Nicole Smith’s diary, 1992

popculturediedin2009:

A page from Anna Nicole Smith’s diary, 1992

thelegendofzeldamajorasmask:

asylum-art:

Creative Sculptures by Hedi Xandt

Hedi Xandt imagines impressive sculptures. Mixing styles and materials with talent, the artist invites us to discover his dark and intense universe.

all of these are me, but especially the drinking skull is me

asylum-art:

Fábio Magalhães

Fábio Magalhães works with self-reference painting. Metaphorically connecting images of his own body, feelings and banal situations, he aims at pointing out conditions inconceivable to be portrayed but through artifices and distortions of reality. As for this, his art pieces are the result of a modus operandi that makes part of the photographic universe and results in a kind of parallel reality, materialized in the universe of painting. In which, he creates contours of a disturbing reality.

「2006-09-13」

cuteyahooanswers:

why do we humans love the stars ? Does it indicate that somehow we are aliens and once lived somewhere close , close to the stars ?? Why else do the stars look so beautiful and inviting to us? we belong there somewhere

“You get a strange feeling when you’re about to leave a place. Like you’ll not only miss the people you love but you’ll miss the person you are now at this time and this place, because you’ll never be this way ever again.”
Azar Nafisi (via impermanentbliss)
sadunkin:

dzolamboto:

oregonfairy:


The tallest statue in the world, Ushiku Daibutsu.

this always gives me chills


Insane.


Tough!

sadunkin:

dzolamboto:

oregonfairy:

The tallest statue in the world, Ushiku Daibutsu.

this always gives me chills

Insane.

Tough!

“As time goes on, you’ll understand. What lasts, lasts; what doesn’t, doesn’t. Time solves most things. And what time can’t solve, you have to solve yourself.”
→ Haruki Murakami, Dance Dance Dance (via perfect)

i-am-beard:

Danish-born Maria Rubinke‘s small porcelain figures are reminiscent of the illogical compositions of surrealism, transforming the character of what are traditionally charming and passive objects into expressions of more taboo feelings that oscillate between desire and sadism.

“Breathing in, I calm body and mind. Breathing out, I smile. Dwelling in the present moment I know this is the only moment.”
→  Thích Nhất Hạnh (via psych-facts)